Chris Martin choreography to Pompeii by Bastille at Urban Dance Camp
Classic Hollywood Bloopers
And the greatest Hollywood blooper of all time:
These are WONDERFUL
A few tips everybody should consider. I’ve experienced all those and some more. I’m not good at english but I hope you get it. Go and support some artists out there and let them draw you nice shit. Not as nice as FairyNekoDesu but still will be cool so give them a chance and you’ll be surprised.
All of these things.
Especially the deadline. If you don’t have a deadline thats way in advanced it’s not gonna get done by then. I am almost always taking on a ton of projects at once and sometimes need a break from it to: work on stuff for me, work on stuff for friends, search for jobs, be the work slave of parents, actually relax and try to relief stress, technical difficulties, researching on how to do stuff, ect.
Sometimes it’s done in a day. Sometimes it’s done literally a year later. But I always update the people I work with so they know I haven’t forgotten.
Do NOT rush your commissioner. Let them work at their pace and it will be worth it. Rushing them insures a rush job which will very likely make the quality decline.
All this is true. Also, ref sheets are the most important thing ever. I can’t stress that enough. They make the job A LOT easier (instead of having to compare 10 different pics between each other and see that everything fits, you just look at 1!!) If you plan in commissioning your character a lot, or even if its not yours (like from an anime or something) Either commission one or look for ref sheets of the show (because there are!).
Also i strongly suggest not using Instant Messaging. Information can be lost pretty easily there and it’s hard to come back to it. Use emails instead. The info stays there, and it’s easy to search for it. It’s also an excellent way to keep track of the descriptions, so if either the client or artist made a mistake, you can see the email threads and see who’s right straight away.
also pushy clients LOVE instant messaging. Pls no.
This post is really nice! :D
It’s that time again! This time I have something special in store!
I’ve been on a book binding spree lately so I bound a cute little sketch book! I want to draw almost every day next month seeing as work will be slowing down and I want to encourage my followers to do the same.
This give away includes:
❊ A hand crafted sketchbook made by yours truly
❊ 3 Sakura Micron pens
❊ 2 Prisma Color pencils
❊ A Paper Mate eraser stick
As this is a celebration of my followers I encourage all old and new followers to join. So here are the guide lines: You must be a follower, you can reblog only once and like only once (so 2 entries total), and you must promise to draw every day in September if you win. And most of all, I want you to have fun! So good luck to all and let’s draw a lot and grow our skills together!
I will be drawing a random number September 15th to find my winner.
Josh Kline, ‘Skittles’, 2014
Kline presents Skittles, an industrial refrigerator containing smoothies produced by the artist using unconventional and poetic combinations of ingredients including kale chips, squid ink, sneakers, phone bills, and pepper spray. Each smoothie stands as a portrait of a different contemporary lifestyle. When grouped together, they evoke a landscape of aspiration, taste, and – at times – deprivation in a metropolis like New York City.
THIS IS WILD.
my two favorite characters from klk… after these last few episodes I just had to draw them
please turn on the audio for this
This drink I like it. Another!
I love how quickly he readjusts to the culture so foreign to him. Like, he does not even protest or try to explain this is how it’s done in Asgard so it’s how it SHOULD be done because he’s a mighty god and stuff. He’s just like “but I… oh I see smashing mugs is not a custom here. I’m sorry I won’t do it again :( “